*Comments provided by Roger Mayer.
The Rocket Spitfire Fuzz has been updated with additional features into our standard enclosure that houses our range of guitar effects. This brings this popular design into a modern player and pedal board friendly package.
Clear note articulation and the ability to clean up from the guitar volume control plus immense sustain at low amp volume together with the heavy tone optimised to create great stadium rock sounds makes it a favourite amongst many famous bands for both live and studio recording.
Listen to examples of this pedal in action.
James Ryan - Bonehead
The Spitfire has been deliberately designed to produce the classic triode tube type distortion that is particularly rich in harmonics that are very musical and pleasing to the ears. This basically means that chords can be used at high levels of distortion without sounding raucous or just plain nasty, as would be the case with other types of fuzz boxes.
The Spitfire maintains the guitars original tone characteristics with the open sound, detail and sonic heritage that have their roots in my association with the making of Jimi's recordings. I have added a few new design twists and coupled with my extensive knowledge from the retro fuzz and distortion boxes we already produce have come up with a new sounding modern distortion/ fuzz sound that does indeed sound fresh and distinctive and not just another boring reissue or clone of a 30 year old design.
It has definite advantages that will appeal to those players who strive for a modern sound with strong roots in the past.
The Spitfire is a very Low Noise analogue high gain design, stable, free from radio and other electronic interference that cause so much trouble. It has a greatly increased output level that enables it to overdrive the front end of any amp very hard. Turning up the Gain or Drive control will produce feedback at very low sound levels and a virtually never ending sustain that is very full and tight with the top end staying sweet encouraging soaring string bends and wild solos.
The overall EQ has been carefully developed to produce a well-rounded fatness and musical tone, not the nasal or fizzy thin type of fuzz sound that is common with digital modellers, multi effects etc. Analogue circuitry really does sound better when it comes to high gain low noise situations; there is no contest.
The unit really comes into it's own during live performance situations as it cleans up superbly well using the guitar volume control whilst maintaining the guitars original tone as the signal goes from wild distortion to the original guitar tone. This effective control from the guitar makes life a great deal easier for the live player who likes to change tone effortlessly from his axe.
The Spitfire even when used at high gain levels maintains a very clean transition from note to note that is transparent and free from the usual nasty type of spitting sounds heard so often when the signal decays and a new note begins. This of courses encourages fast solos with lots of sustain that actually sound louder due to the fact that the spaces between the note are not filled up with mush and noise.
The circuit senses and uses electronic information fed directly from the guitar's pickups to control it's own operational parameters and it is recommended to use the Spitfire 1st in the signal processing chain to take full advantage of this internal feed forward feature.
It is this particular feature of the Spitfire that that helps to make it quite different from early fuzz pedals and makes the unit respond very well to each individual players touch, style and playing technique. Five minutes playing with the Spitfire will convince anyone this is not just a re-hashed design but genuinely innovative with some new tone colours.
MULTI-MODE OUTPUTS / HARD WIRE BYPASS/ TWO BUFFERED OUTPUTS
The Spitfire- X has a hard wire output (true bypass) plus two buffered outputs that can drive long cable lengths with no high frequency loss. These buffered outputs are disconnected when the hard wire output is being used. This means that all performance situations are catered for whether you want a true hard wire output or your situation calls for the advantages of buffered outputs.
RAPID BATTERY CHANGE
No more screws to lose! Slide the front panel back and there is the battery. It could not be simpler or faster.
50Hrs or more using a premium grade alkaline 9 Volt type.
EXTERNAL POWER ADAPTER / SUPPLY
An external AC adapter (not supplied) can be used and access is through a standard DC power jack situated next to the jack sockets. It uses the standard negative centre pin connection protocol used by many leading manufacturers. Internal onboard filtering ensures that optimum low noise performance is maintained and diode protection provides peace of mind in case or polarity setting mistakes.
The position of the jack sockets and DC power jack are all on the same side of the enclosure and face away from you thus enabling the effect to be optimally positioned in pedal board set-ups.
Size: Width 170 x Depth 112 x Height 57mm. Weight: 640g with battery.
FRONT END BUFFERING
This buffer allows the fuzz circuitry to interface better with standard wah pedals and the high input impedance allows the full tone capabilities of the pickups to be heard without the loss of detail produced by a low impedance input. The buffer can be activated on or off by moving two jumpers on the pc card so you can hear the difference easily.
allows tweaking without destroying units overall tone character.
HARD WIRE(TRUE BYPASS) OR TWO BUFFERED OUTPUTS
essential for trouble free interfacing for all situations.
EASY BATTERY ACCESS
just slide the cover back to reveal the battery. Could not be faster.
STANDARD DC POWERING JACK
allows the use of commercial powering units. Extra internal filtering ensures low noise performance and the standard polarity convention is also maintained.
Spitfire Fuzz X
- Brand: Roger Mayer
- Product Code: Spitfire Fuzz X
- Availability: In Stock